The 2000s saw the release of Half-Life 2, Left 4 Dead and Counter-Strike, all enormously successful games. It marked the beginning of a decade where Valve stopped doing what made it so famous: making incredible video games. This decade, parents didn’t worry about violence in video games so much as they worried about time and money spent on neverending live services like Fortnite and Star Wars: Battlefront II.ĭeveloper Valve screamed into the new decade with the incredible Portal 2: a first person puzzle game that built off of the successful first game in every way, with a satisfying story and an increasingly clever mechanic in its teleporting portal gun. The business of video games also exploded, pulling in such obscene amounts of cash that legislators started to ask questions and consider regulations, particularly with regard to games including “microtransactions” which some have compared with gambling.
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During the past decade, some artists broke free of the business side and produced works of astounding beauty on par with any prestige television show. There are fewer auteurs and more venture capitalists. The tension between art and commerce isn’t the same in video games as it is in movies. The 2010s are when the hobby stopped being something semi-niche, and solidly took its place in the mainstream. Over the past decade, the cultural cache of video games has grown and its profits are now greater than movies, television or music. The video game industry was already a billion dollar behemoth when it rolled into the 2010s.
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